Yup, having settled on “Lucky Dip” as a name, and not having heard back from the owners of the Flickr image I wanted to use, I decided to draw my own, using the photo as a rough model. I drew the blackboard outline, a little bit of shadow on the back legs, the fringed border and the board itself in charcoal on half a sheet of A2 paper (I’ve been caught out by A2 paper before – far too big to fit on the scanner!), then pulled the scanned image (after cleaning up in Photoshop) over to the iPad to add colour and text. The final layout I did in Photoshop, after sending the coloured image back to the computer again.

I may tweak it later but as a first draft, I’m pretty pleased and I’ve put it up as the album image on SoundCloud.

It’s been a very long time since I’ve done any drawing, and longer still since I did any with actual paper rather than just the iPad, so this was a really fun project. The whole album’s feeling really real too now – there’s only one more track to come in, with two possible replacement tracks. Guess I should think about what order I want them all to go in too. At the moment they’re just in the order the recordings came in, but I’m thinking that shuffling them around might be more effective.

Today I received Kim Hickey’s recording of her piece, Flit, for flute. I am just amazed at all the great performances I’ve been getting for these pieces – so little time to prepare them and yet everyone’s done a really good job of capturing their piece and getting it recorded. I haven’t had to put on a stern face & tell anybody to try harder, nothing’s turned up sounding like it was recorded underwater in a bathtub in 1902. A couple of pieces have needed a touch of reverb to really bring out the tone of the instrument, and Kim’s recording needed a tiny bit of hiss reduced, but that’s been it, which has been both wondrous and a great relief because I’m no skilled recording engineer.

But I digress, here’s Kim’s piece:

I also posted an update of Alun’s tango – the original for some reason came through very very soft, so he’s adjusted his recording slightly and sent me a slightly louder one, which really makes a difference. It’s still fairly quiet, but there’s a bunch of tiny details in there which eluded me in the previous version.

Sam also sent me copies of some of his rejected takes for I Want It To Kill People. I found it absolutely fascinating to listen to the various approaches. They’re all good, but somehow the final take he settled on just interacts with the tape part a little more effectively than the other versions of the graphic score. What was particularly interesting was to hear the take on which he improvised, without the graphic score – that’s a really interesting piece. It’s not the piece that I Want It To Kill People became, but something else. It’s more enmeshed in the tape part – he’s taken some of the gritty sounds and used them as inspiration for the guitar part – whereas my vision of the piece was that the guitar was this soft and lovely thing with depths of aggression, Sam’s version is more like watching the soft and lovely guitar be corrupted by the aggressive tape part. Really fascinating. He’s also sent me just the guitar recording from the final version and I really think I will have a go at tweaking the tape part – there’s a blob of notes about a third of the way into the piece that really feel like a stumbling block, so I’m going to see if I can make them less intrusive.

So that’s RPM for today. No, the harp piece hasn’t happened yet. Yes, I’m hoping to get to it tomorrow. Today was full of client work and physiotherapist and – at the end – half of a wonderful concert by Joby Burgess at Wigmore Hall and a lovely chat with @stevegisby and his girlfriend. I managed to get there for the end of it (thank you, Central Line – not!) and got to hear Gabriel Prokofiev’s ‘Fanta’ from Import/Export and Steve Reich’s Electric Counterpoint, movements II and III played on a MIDI xylophone, which was interesting, although I think I prefer the electric guitar version I have on CD in Sydney. Very much enjoyed the Prokofiev piece though – inventive, fun and very much a serious piece of music, in spite of the amusement factor of being played on glass bottles of Fanta. I did wonder, though, how long it’ll still be able to be played for – what happens when they no longer manufacture glass bottles of drink??? I guess it’s just a piece that embraces its own ephemerality.

I seem to have come out of the day with a Proper Job too. And the best sort of proper job – mobile web dev, working from home, for about a week, for a client who used to be a colleague when I was at LBi and who has now set up her own UX business for financial services companies. Really looking forward to this one.

One day to go. One recording to come in. This time tomorrow night, RPM 2012 will be complete!

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Yes, I know things have been a bit quiet round here, but it’s not like it’s been uneventful. There’s been the back-pain drama, there’s been the dental drama (round 2 of drilling and filling today so back on the painkillers again), there was a birthday, which resulted in lovely presents from lovely people, including: 1 proper real-live microphone, Nigel Slater’s fruit cookbook, a book on libretto-writing, one on poetry-writing, 2 seasons of Chuck. Plus of course the presents I bought myself: the iPad (which you know about and seems to become more useful and awesome with every passing day) and Logic Studio, which arrived on the birthday day but took us a couple of days to install due to my having dropped my laptop several months back, meaning that DVDs go into it but can’t really be relied on to come out again… Still working on how to get the software instruments that come with Logic up and running…

So there’s been a lot of playing about with toys. Mostly the ones I bought myself though as I need to get a cable for the mic, I’m finishing up other books before I start the libretto ones and my back has hurt too much to do much cooking (barring a culinary experiment which resulted in an apple-enhanced caramel cake which went down quite well).

So I’ll just slide over the missed days and focus on today. Obviously, I went to the dentist. He says that this should be the last of the deep drilling (thank heavens). Been pretty uncomfy though, but yay for painkillers! And also yay for spectacularly beautiful summer’s day even though it’s only spring! It was so lovely, I decided to walk home instead of catching the bus (which was taking too long and I was also getting bored), so I walked back through the sunshine and the intermittent smell of jasmine, listening to the birds going twit in the hedges and chatting with a friend in Australia via IM. Rather lovely, actually.

Once home I actually didn’t immediately have a nap, as I’d expected. Instead I did some work on my new piece. It’s been a little stuck lately but I managed to prod it forward a little and flesh out some of the earlier parts too.

Then there was tinkering about with Logic Studio. I’m really enjoying using this. Fascinating to discover that the interface basically hasn’t changed since I was using microLogic at uni – 15 years ago! so it’s mostly familiar, and the bits that are less familiar – the audio-editing side of things, isn’t that dissimilar from Pro Tools, so I seem to be picking things up pretty quickly. And I can’t begin to express how much easier and more comfortable it is to work in it, not needing to be tethered to a hardware box at all times. I don’t have to think twice about opening it up for a small sound-file-trimming job. And I’ve discovered some cool stuff – beat mapping to make a MIDI file sound more like it was played by a human than a robot to start with! I borrowed a book from the TVU library yesterday and started working my way through it this afternoon. Finding out some interesting snippets, but I’m hoping I can get away with just borrowing the book and not having to buy it. Would rather spend my birthday Amazon voucher on the Advanced volume

And then when the sun was setting, I got all inspired to grab the iPad and try a little bit of drawing. It’s not great, but it was fun to do and an interesting exercise, messing round with silhouettes and trying to get the sunset colours to blend a bit

Tagged with: art, composition, drawing, EDM, experimenting, learning, music, photography, play, study, tools, walking | Add a comment

BIG day today. In spite of being a quiet day after the pressure of yesterday, I have posted the sound file for Diabolus to SoundCloud today:

Diabolus for unaccompanied violin by caitlinrowley

I’ve been getting some nice comments about it too, which is comforting. People seem to think it’s worthy of getting a real live, performance. Ooh I feel all glowy.

Did some listening & score reading in the afternoon – Nicholas Maw’s Life Studies, which my tutor suggested, which led to some reading about Maw which led to listening to Schoenberg’s Survivor from Warsaw, which is the piece that inspired me to write a 12-tone work for my HSC. Gosh it sounds pretty tame now, compared to other 2nd Viennese School stuff. I enjoyed it though. Also gave Gordon Crosse’s Thel another run through. Then changed tack entirely and listened through to Tansy Davies’ new CD Troubairitz because it’s, well, new. And awesome. Did a little drawing too, which always seems to consolidate thought.

I’ve also come up with a shiny new plan for The Next Piece. Tansy posted an amazing-looking opportunity to the ChaCoCo group on Facebook today – a residency opp with Manchester Camerata, which looks to be right up my alley, but requires 2 works to be submitted: 1 for up to 6 players (which I can do easily) plus one for 9+ players or chamber orchestra (which I don’t have). It hath a deadline of 18 April. Then I found an opp for songs for voice & chamber orchestra due in September, so I figure if I write a song (or start writing a set of songs) for voice and chamber orchestra, then I can hopefully kill two birds with one stone. Hey, presto! PLAN!

And after the plan was made I sat down and accidentally wrote almost a minute of said piece, which Djelibeybi seems to think is a promising beginning, as do I. Guess I need to settle on a text now. The Blake I was investigating as a possibility I think won’t really fit. Maybe Manley Hopkins? The sister-in-common-law has suggested I investigate Cavafy. He seems to be (just) dead enough to avoid copyright problems (although translations may be difficult and I don’t speak Greek) and sounds interesting. Considering…

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Yes, I know I keep saying that the violin piece is done, but there always seems to be more checking to do. Today I experimented a bit with some of the ideas my tutor suggested for it – I think the pizzicato I’m not so keen on, but I LOVE the harmonics idea – he totally understood immediately just by listening to the piece that there are moments of complete stillness in there and harmonics will convey that just perfectly. I think he’s also right about it not using the whole range. I may not be 100% comfortable with the higher reaches of the violin’s range, but it’s characteristic and I think the piece will be better for even just a touch of stratosphere here and there. And I’ve included his idea for double-stopping the open E string with a stopped E (same pitch) too. Just here and there for extra colour and emphasis. Really quite pleased with it now. As in, more than before. But of course it has to settle overnight too.

Also did some drawing. Well, not real drawing, pattern-making really. I did a couple just over a week ago and I’ve had this one in my head ever since but just hadn’t got around to doing it. Oddly enough it looks kind of like a tsunami, but the idea was definitely pre-Japan-earthquake. Heigh ho.

And I made an apple crumble. But I didn’t get around to writing my blog post for caitlinrowley.com because I want this week’s to be on the violin piece, but obviously that kind of needs to be finished itself before I can really write about it. Suspect the blog post may be a bit late this week…

Tagged with: baking, composition, cooking, drawing, music | Add a comment

I think everyone has days where they just want to hide in a cave from all the world. Some of us more than others. Today was just such a day. Last night the horrible nightmares returned. While this in itself isn’t a good thing, it’s a sign that my creative brain is up and running, which is a good thing and better than it being in a slump. But the nightmares totally wreck me for anything creative the next day, which of course is not a good thing, and as the only way to make the nightmares go away is to be creative and work through stuff, I think you begin to see my dilemma. Anyway, today was worse than usual and resulted in a more-than-usually strong cave-dwelling desire, but my to-do list wagged its finger and said ‘no cave for you’ so I had to find something to do that I could face…

Finances! This may seem a strange thing to do in the face of cave-dwelling, but in fact it makes perfect sense – my brain didn’t want to think about new stuff, didn’t want to be strained in any way, and finances is primarily putting numbers in boxes, so it fitted really well. And when I discovered that I hadn’t caught up on them since October, I was very glad I had. Things are clearer now. And I moved some money about so it will make me more interest, which has to be a good thing, eh?

I also faced down one of the to-dos on my list that I’ve been dodging since… erm… September, which was to wrap up a friend’s birthday and Christmas presents ready to send them to Australia. I have drawn her a Mr Pickleberry in compensation for their excessive lateness, so I hope she forgives me.

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I know, not very inspirational subject matter – or execution, but it was good to get back to some drawing again – it’s been a long time.

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Feeling rather too queasy after the excesses of last night to eat my tuna, chickpea & bean salad so I drew it instead.

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Playing around with the new brushes

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I wanted to improve the confidence of my strokes so I’ve just been doodling around today. Had a play with the vertical symmetry option and came up with this rather worried-looking creature.

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My lunchbox – it’s a soft insulated lunchbox which I got with the King Island Cheese showbag at the Royal Easter Show a few years back. I’m really enjoying the shading possibilities in this little programme – it’s really making me observe lights and darks more. And shadows.

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